Friday, December 17, 2010

LYDIA, LACMA, & URBAN LIGHT

Urban_Light_tote

At the end of summer 2009 I received an extraordinary email - LACMA (the Los Angeles County Museum of Art) wanted to use one of my photographs on a tote bag they would sell in their gift shops and online store. The photo was an image that I had taken of Urban Light - Chris Burden's sculpture of 202 restored antique cast iron Los Angeles street lights from the 1920's and 1930's.

Although Urban Light was only installed at LACMA recently (2008), it instantly became an iconic site in our great City of Angels. Day or night, drive by LACMA and you are likely to see people strolling between the lamps and taking photos of themselves amidst the lights. It is literally one of the most photographed things in Los Angeles.

LACMA found my shot among thousands of other Urban Light photos seen in Google images. When they asked if they could use my photo, to say I was floored is putting it mildly.

I grew up at LACMA and the La Brea Tarpits. LACMA is truly nostalgic and meaningful ground to me. Some of my favorite childhood memories were spent walking the grounds with my Aunt Lisa and Uncle Fritz, eating lunch at the cafeteria, tiptoeing across rocks in the meandering stream that cuts through the park, and climbing on the giant bear and sloth statues. Then as a 16 year old high schooler learning to use an SLR in Beginning Photography, LACMA became my muse as I took my first artistic shots of the architecture and galleries using a hand-me-down Canon AE-1 Program.

I may never have work hanging in the galleries of LACMA (it's not even something I aspire to), but to have my work sold there and represent Urban Light is a thrill.

My parents were longtime members of LACMA and I have been too. That the sales of my tote bag benefit the museum in any small way gives me great pleasure.

Nearly a year after first contacting me, the tote bag began selling in the gift shops. And this week, it's finally for sale in their updated online store. So after much anticipation and excitement, my tote bag "baby" is finally out in the world and I can share this great news.

If you blog or post your photos online, I can't recommend enough doing thorough keywording/tagging plus watermarking of your images. I use Adobe Lightroom to do all that. You never know who will see your images when you put them on the web! I definitely have to credit Aline Smithson for originally encouraging me to blog. Had she not been so helpful and encouraging as a teacher, my photo may never have reached LACMA.

If you want to buy a tote bag, LACMA has created a special promo coupon code for me and my friends!

Use the coupon code LYDIA10 until January 5, 2011 to receive a 10% discount when purchasing the Urban Light tote bag from the LACMA online store.

LACMA members get their 10% discount in addition to this coupon if they enter their membership number in the comment box on the order form. The membership discount will not show up on the order - but LACMA applies it when they finalize the sale.

Me posing in front of Urban Light with my tote bag.
urbanlight_lydia1

A screen grab of the tote bag on the LACMA website.
lacma_store

Here's the write up from the LACMA online store.

Urban Light Tote Bag

$28.00
Member Price $25.20

This great tote is supersized to hold everything you could possibly want, including a lap top. The image on the front of the bag is a detail of the sculpture Urban Light, by Chris Burden, which can be seen in front of LACMA's entrance on Wilshire Boulevard. It has quickly become a must-see destination in Los Angeles.

We asked local photographer Lydia Marcus for permission to use her great image once we spotted it on the web. Marcus is a proud native Los Angeleno and self-proclaimed unapologetic Valley girl whose photographs have appeared in JPG Magazine, Light Leaks, and AOL City Guide Los Angeles. She uses antique Polaroid cameras and contemporary digital formats to capture L.A.'s car culture and vintage neon signage.

Bag is approximately 18 3/4 square with photo on front and solid black back

- Interior zipper pocket approximately 6 1/4 inches square
- Water resistant coating inside
- Sturdy 1 1/2 inch strap expands in length from approximately 28 1/2 inchs to approximately 54 inches
- Imported exclusively for LACMA

SKU #11896

My original photo of Urban Light that started it all.
Urban Light

Monday, December 13, 2010

Artistic Profile

Hi All,
In August the city of Lakewood sent out a video crew to film me at Phantom Galleries where I had my show, Lakewood, a Photographic Journal of Sacred American Journal. I thought Jerome Academia, who produced and edited the piece did a marvelous job. It's a bit awkward for me to watch myself. As I can so easily see the flaws of my photographs; I can, likewise, see the flaws of my character. Cheers....http://www.youtube.com/watch?v=4yEbtLsM1rU.

Holiday Party

I've had people inquiring about the fried chicken and the fruit salad wanting recipes....whoever was the chef, can you come forward...someone also left a print here, if you are missing one!

See fun to see all of you!
A

Saturday, December 11, 2010

Wilhelm Imaging Research

From Stella Lee:
Nowadays, not only are we finessing the craft of photography, but often we're our own IT person as well...
So here's a website that gets a little technical but good information on the ever changing world of digital image making/printing.

http://www.wilhelm-research.com/

Great information on recent ink jet printers, permanence on paper, and issues about archiving.

Friday, December 10, 2010

Amanda Keller Konya

Solo exhibition at Phantom Galleries in Long Beach, Saturday, Jan 11th




View "Commute" at the reception Saturday, December 11th, 6-9pm

218 N. Promenade between Broadway and 3rd in Long Beach

Sunday, December 5, 2010

Submit to Lenscratch before 12/27!

Lenscratch is creating exposure opportunities for photographers with group on-line exhibitions. Photographers will be allowed ONE entry per exhibition and ALL photographs will be published.

Submission Guidelines:
Image size: 72dpi at 1000px on the long side
Send name, title, location, and link to your work (website or other)
In the subject of your e-mail, type the name of the exhibition (FAMILY, etc) and e-mail to:
alinesmithson@yahoo.com
If your images are sized incorrectly or the submission is incomplete, they will not be posted.

Submission Categories and Due Dates:

Due Date: December 27th
Send your FAVORITE image that you took in 2010. Post will run on New Year's Day



Due Date: March 17th
Send one image that best represents LUCK. Post will run on St. Patrick's Day

Due Date: April 25th
Send your favorite SELF PORTRAIT. Post will run on May 1st

Wednesday, November 10, 2010

Palm Springs Photo Festival

If you are thinking of trying a review, this might be the place to do it...plus workshops, lectures, etc.
PALM SPRINGS PHOTO FESTIVAL

March 27 - April 1, 2011

ANNOUNCING OUR CONNECT 2011 PROGRAM SCHEDULE
QUICK LINKS:
PSPF Website
Register
No Fee Slide Show Contest
Our Sponsors
Volunteer / Intern at the Festival

Now is the time to make your decision to join us in the most exciting single week of photography available. Participate in our remarkable Workshop program, studying with celebrated, real world working photographers. Learn a tremendous amount of new information, essential to your work and career in our Seminar program. Attend important discussions about our current business environment at our daily Symposiums. Get your work in front of over 90 industry influencers in our Portfolio Review program (this year we'll offer over 650 portfolio reviews!).
Here's what's included in your $75 daily registration fee:
* Admittance to 12 Seminars during the week
* Our important daily Symposiums
The Business of Fine Art
The Convergence Conference
Advocacy & the Arts
PDN Presents: Strategies for the Young Working Photographer
* Two Networking Events Wine Tastings from Prominent California Wineries
* Unlimited access to our Sponsor Headquarters. See the latest from Canon, Epson, Blurb, Samy's Camera, Western Digital, X-Rite, Tenba, Blend Images Agency, Aperture Foundation, LeadApron Antiquarian Photobooks and Marshall Electronics!
* Access to the Open Portfolio Review Sunday, March 27 at the Hyatt Regency. Over 80 photographers will be presenting their work!
* Invitation to our Opening Reception immediately following our Open Portfolio Review.

2011 WORKSHOP PROGRAM

4-Day Workshops
ARNO RAFAEL MINKKINEN: Framing a New Vision
PETER TURNLEY: The Street Picture on Assignment
DAVID MUENCH: The Desert Light: Color in the Landscape
KEITH CARTER: Finding Your Voice or …Get Your Mojo Workin
TODD HIDO: Contemporary Fine Art Practice: Conception, Execution & Discussion
GREG GORMAN: The Fine Art Male & Female Nude
STEPHEN WILKES: Exploring the Salton Sea: Formal Documentary on Location
LOIS CONNER: The Desert in Black and White
FRANK OCKENFELS: Signature Portraiture
GILLIAN LAUB: The Documentary Photo Essay
CHRISTOPHER GRIFFITH: The Still Life Reconsidered
AMY ARBUS: Environmental Portraits with an Edge
JUERGEN NOGAI: The Art of Architecture
LORNE RESNICK: The Art & Commerce of Travel Photography
1-Day Workshops
LOU LESKO & MICHAEL BRITT: An Introduction to DSLR Video Production Part I
LOU LESKO & MICHAEL BRITT: An Introduction to DSLR Video Production Part II
NELS ISRAELSON: The Dramatic Portrait: Shaping Light to Create Mood & Character

In addition to our spectacular Workshops, you can reserve from over 650 Portfolio Reviews with over 90 Industry notables from Advertising Agencies, Magazines, Book Publishers, Reps, Museum Curators, Gallery Directors, Music Company Creatives; This is your opportunity to have face-to-face meetings with people who can influence your career! We present over 20 important and educational Seminars during the week.
Most importantly, you can join the community - meet like-minded people, exchange ideas, keep your work fresh and exciting. We're about the passion for photography. These are exciting times! Call us at 1-800 928 8314 for more information or go directly to our website at www.palmspringsphotofestival.com. See you in the desert!

Submit to Family on Lenscratch by 11/14

Go here for more info...

New Directions, Submit by 11/20

Wallspace Gallery's annual competition, New Directions, is open for submissions until November 20th. David Bram, Founder and Editor of Fraction Magazine, is the juror and the prospectus for the show is "The Portrait: Moments of Being".

David writes:
As photographers, we look for faces and expressions that tell stories. We look for character. We look for emotion.

We look for the hook, that moment of being that creates a compelling portrait. Like a modern physiognomy, a portrait tells a story equal parts subject and photographer in a single moment.

As the curator of this show, I will be looking for portraits that are edgy and daring. I want more than the traditional head shot. I want to see work that pushes the boundaries of what is normally called a portrait. (Please note: For this show, my interests are not in photo-journalistic photographs of the homeless, the needy, or third world subjects)

Photographs by Emmet Gowin and Sally Mann (for example) show a trust and a relationship between the photographer and the subject. There is a connection that is clear to the viewer; this is what I am looking for. I will also be looking for unique styles and interesting compositions. The images might be quiet, honest, sexually charged, or pure. These portraits, color or black and white, should convey a unique and powerful moment of life.

Best of Show: Blurb book credit to create your own monograph

Juror's Choice: A featured portfolio in Fraction Magazine

Director's Choice: Center's Review LA 2011 portfolio review participant

Tuesday, November 9, 2010

Ashley West Leonard

This week, 52 Editions presents a limited edition by Ashley West Leonard!!!
Check it out!



Reckless Burning, Los Angeles(2009)
8.5"x11" Archival Pigment Print
Limited Edition of 275
$45.00 Unframed

$125.00 Framed (Not available outside the USA)

Friday, November 5, 2010

Friday, October 29, 2010

TRAVELING THE MOTHER ROAD, ROUTE 66 POLAROIDS

Traveling The Mother Road, Route 66 POLAROIDS by Lydia Marcus

In February 2009, I traveled Route 66 from Los Angeles to Kingman AZ and hit a bunch of small towns too (Oatman AZ, Amboy CA, Barstow CA, Newberry Springs CA). I photographed nearly 150 Polaroids with my Polaroid SLR 680 SE and 600 Film. I nearly killed the camera in Yucca AZ when it got wet during outdoor shooting in light rain. The camera completely seized up and wouldn't even focus. Luckily letting it sit overnight in my warm Hill Top Motel room (a historic Route 66 motel in Kingman AZ) did the trick to dry out the sensitive circuit board.

Nearly 80 of the best Polaroids from that trip have been selected for my first Blurb book: Traveling The Mother Road, Route 66 POLAROIDS by Lydia Marcus. The book features historic Roy's Motel in Amboy, classic cars and trucks in Barstow, Route 66 motels in Kingman, AZ, wild Burros in Oatman, AZ, kitsch aliens in Yucca, AZ, neon and road signs, and much much more. Check out the preview below. Books can be ordered directly through Blurb.

- Lydia Marcus

Tuesday, October 26, 2010

Monday, October 25, 2010

4th Annual RayKo Plastic Camera Show


RayKo Photo Center is now open for submissions to their 4th Annual International Plastic Camera Juried Show. Here is the link to the submission information. This is their biggest exhibit of the year and one of the most fun I've ever been to. I was fortunate enough to be in the latest one earlier this year and have to say how blown away I was at the sheer number of visitors on opening night. There was a period of time when you simply could not get in the door because of the number of people checking out the work...and RayKo is a big place. Even if you shoot with toy cameras only periodically, or for fun, I urge you to enter. I received a lot of exposure with having only one image in the show, it's totally worth it. Submissions are open until January 11, 2011, so you have plenty of time to get out and create something spectacular!

Monday, October 18, 2010

Michael Kirchoff at L.A.'s first Open Show


I wanted to spread the word and invite you all to Los Angeles' very first Open Show, where I will be doing a presentation of my project "An Enduring Grace." The evening will include myself, as well as three other artists, giving a digital slide presentation and overview of our fine art projects. My portion will also include several images from the last journey to Russia that have not been seen before or shown up yet on my website.

The event takes place at Translight Photography Center in downtown L.A., on October 21st , from 7:30pm - 9:30pm. There is also an RSVP and information event page set up on Facebook here. I hope to see you there, and also urge you to submit your own projects to Open Show in the future!

Saturday, October 16, 2010

Friday, October 15, 2010

Erich Hoeber is a star!!



Screenwriter, photographer, and Next Step member, Erich Hoeber, is the co-screenwriter of this fall blockbuster along with his brother, Jon! Went to the opening night tonight and was so excited for him! He is currently filming another script and a third will start in 2 weeks....wow!

Wednesday, October 13, 2010

Interview on Rangefinder Magazine

If you are interested, there is an interview with me on Rangefinder Radio.  It's free on iTunes.

Ever thought about getting an MFA?

James Pommerantz (featured recently on Lenscratch) is getting his MFA at SVA in New York and has a terrific blog, A Photo Student, on the experience.  Go all the way back to the beginning (Aug 25th, 2009) and follow him through the experience, complete with reading lists, thoughts, and observations.  Well worth the trip.

Wednesday, October 6, 2010

Art Takes Miami


Hi SCP Friends,
I entered my newest series 'Prada, Marfa', shot in West Texas at the famous Prada Store art installation, into a new competition called Art Takes Miami.

The folks at Artists Wanted, SCOPE Art Show and 3rd Ward joined forces to present this competition. Though it is judged, it also has a People's Choice Award (one of those 'get your friends to vote for you' competitions) -don't you just love that?

Therefore will you all help me and go to my page http://www.arttakesmiami.com/gray and give my series a 5 star rating? It takes about 0.5 seconds!

The one thing about this competition that I was attracted to is that it can help you get involved with Art Basel in Miami so if you feel motivated, join the competition too! It's only $10 per image uploaded.

Hope everyone is well any thank you!

-Gray

http://www.arttakesmiami.com/gray
www.graymalin.com

Wednesday, September 29, 2010

Portfolio Night, October 2nd


If anyone wants to share their portfolios in a relaxed environment with a glass of wine, come on down to JDPW Saturday night between 7-9.  Julia used to do this on a monthly basis and has done one for a long time, but it's a way to meet people and share images.
I will be there at 6 giving a presentation on the Guatemala trip, and anyone who signs up that night gets $100 off.

Tuesday, September 28, 2010

Kodachrome Competition


Open Call for Entries 
“The Last Kodachrome” 
                     

In 1935 KODACHROME was released as a 6mm home movie film, then for 35mm cameras 
in 1936, to huge success.  In the summer of 2009, Kodak announced that Kodachrome was 
being “retired, concluding its 74-year run as a photography icon,” with the final rolls hitting 
retailers shelves in early September of that year...leaving at least one Bay Area store 
unable to fill orders on its waitlist, while online “superstores” sold out in a matter of days. 
Subsequently, December 2010 will be the last month that Kodak will ever process Kodachrome.

In a juried exhibition this December, RayKo Photo Gallery celebrates the life of 
Kodachrome, considered by many the greatest color film ever made, the subject of popular 
song, and the only film to have a park named after it (Kodachrome Basin State Park, Utah). 

GUIDELINES 
Submit a mini-portfolio of 5 to 7 related images, to be judged as a body of work to be 
chosen for the exhibition. Open to images originally made on Kodachrome. 
ONLINE ENTRY PROCEDURE 
•  Upload images & pay submission fee:  www.raykophoto.com  
•  Entry Fee: There is a non-refundable entry fee of $25.  
•  Limit 7 images per person: 
        •  4x6” at 200ppi  |  jpeg only   
        •  Save files as (lastname_firstname_01.jpg) 
        •  In the entry form, reference the number and enter in the image title 
•  Late submissions or substitute images will not be hung 

NOTIFICATION 
Acceptance results will be emailed on October 16, 2010.  

ARTWORK DELIVERY & RETURN DATES  // EXHIBITION INFO 
October 4                  Deadline for submissions 
October 16                Notification of Acceptances sent 
December 3              Deadline for receipt of work 
Dec 16-Jan 22          Exhibition on view 
Dec 16                      Reception, 6-8p 
Jan 23                       Pick up hand-delivered work 
Feb 10                      Works shipped by 

HOW TO SUBMIT ACCEPTED WORK 
All work must be framed or mounted with a wire affixed and ready to hang. NO SAW TOOTH 
HANGERS. Entries will be handled with the greatest of care, however, RayKo assumes no 
liability for work on its premises. All works selected for exhibition must be for sale. RayKo will 
retain 40% commission on all photographs sold, so price your work accordingly. Images selected 
for the show may be used for promotion of the exhibition. 


Sunday, September 26, 2010

Michael Kirchoff on Two Ways Lens


Michael Kirchoff has been interviewed on the prestigious blog, Two Way Lens. Have a look!

Interview with Jan von Holleben

I'd like to share a new Australian photography magazine called Lucida. I'm happy to have an interview with German photographer Jan von Holleben as one of the inaugural features...enjoy!





Saturday, September 18, 2010

Review LA



It's time to start thinking about Review LA, which takes place in Santa Monica in January...it's an incredible way to get your work under a lot of important eyes--even if you only do 3 reviews, you are still able to participate in the portfolio walk where all the reviewers will see your work.

A lightbulb went off in my head recently when I was applying for a grant. I was asked for 4 names of people that would write about my work...and I was lucky that I had established relationships with curators and gallerists and directors through my experience at previous reviews....and I wouldn't have been able to provide those had I not attended them.

Thursday, September 16, 2010

Quotes

"It is only the shallow people who do not judge by appearances. The mystery of the world is the visible, not the invisible." --Oscar Wilde

"I believe that photography can only reproduce the surface of things. The same applies to a portrait. I take photographs of people the same way I would take photographs of a plaster bust." --Thomas Ruff

"My photographs don't go below the surface. They don't go below anything. They're readings of what's on the surface. I have great faith in surfaces. A good one is full of clues." --Richard Avedon

"Photography deals exquisitely with appearances, but nothing is what it appears to be." --Duane Michals

"One should photograph objects, not only for what they are but for what else they are." --Minor White

"To see the Thing itself is essential: the quintessence revealed direct without the fog of impressionism... This then: to photograph a rock, have it look like a rock, but be more than a rock." --Edward Weston

"Now we distrust depths, interiors, hidden truths. Meanings lie on surfaces, artifacts of an occasion rather than truths about persons." --Alan Trachtenberg

"If you are not willing to see more than is visible, you won't see anything." --Ruth Bernhard

"Photography concentrates one's eye on the superficial. For that reason it obscures the hidden life which glimmers through the outlines of things like a play of light and shade. One can't catch that even with the sharpest lens. One has to grope for it by feeling." --Franz Kafka

Saturday, September 4, 2010

Photolucida

This year, Photolucida is done by lottery...sign up is September 8th...

Monday, August 16, 2010

Framers

I was taking down the show from the Summer Mix exhibition through LACMA's photo arts council and saw some incredible framing...after inquiring further, here are 2 sources that do amazing work:

Absolute Framemakers (in Culver City, near National and Venice)
310-287-0700
8927 Ellis Avenue
Los Angeles CA 90034
Contact Pete or Jack
* Be sure to contact them before going there to make sure they will be there
* Custom-made and painted frames
* Pete is the younger man. I prefer dealing with him, as Jack seems a bit out of it, but I like Jack. He is nice and has good input for best framing, so ideally, I like to consult with both if I am evaluating framing options or doing something new.
* 5+ pieces will give you essentially half off of regular prices. You pay full price if you have fewer pieces.


Finishing Concepts
(large facility; capable of mounting in-house and all types of modern presentations)
3370 North San Fernando Road # 103
Los Angeles CA 90065
323-344-9401
Contact Steve Larios
They are a large facility. Excellent, pristine work. Custom-made and painted frames. Mounting in-house. Will let you spray your prints if you want to spray them. They frame for David Hockney, Richard Misrach, Melanie Pullen, David Fokos. Discount on 8+ pieces. Expensive but great quality.

Sunday, August 15, 2010

The Artist's Gallery: California Open Exhibition



The Artist's Gallery is a co-operative gallery located amidst a cluster of galleries in Bergamot Station, in Santa Monica, CA. It's a mixed media gallery that once a year hosts a juried exhibition, open to artists and photographers from around the country. This year, the exhibition was jurored by Karen Moss, the Deputy Director of Exhibitions and Programs at the Orange County Museum of Art, and the amount of photography selected was at an all time high. The exhibition opens on Saturday, August 17th and runs through September 3rd, 2010.

Karen Florek is the chairperson for this event, and it includes familiar names such as Jamie Johnson, Nancy Baron, Christine Caldwell (from Translight Darkroom), and me! Please join us next Saturday!

Wednesday, August 11, 2010

Bloomfest 2010 and Artshare & Freedom Gallery


Hi all! I will be displaying some images at the Artshare and Freedom Gallery this Saturday at Bloomfest. Here's the info link if you would like to come:

http://www.facebook.com/home.php#!/event.php?eid=104751776247509

Hope to see you all there!

Jacqueline Truong

Friday, August 6, 2010

Rejection is the new Acceptance

If you haven't read my Facebook post today, I want to start a trend in posting rejection letters as freely as all the triumps in our photo lives....someone sent me this site, and thought it was work sharing!

Thursday, August 5, 2010

A PHOTOGRAPHER TURNS TO VIDEO

Madchen In Uniform

Along with my photography pursuits, I'm dipping my toe into the filmmaking water. I'm presently shooting my first documentary "Desert Hearts Mon Amour" about the cult status and social impact of "Desert Hearts" - cinema's first lesbian love story. And earlier this year I shot and directed a behind the scenes extra for the upcoming Wolfe Video DVD of the 1958 remake of "MADCHEN IN UNIFORM". I also interviewed filmmaker Katherine Brooks to discuss how the original 1931 version of "MADCHEN IN UNIFORM" inspired her to make "Loving Annabelle". All three films feature a student's crush on her boarding school teacher, but in 2006, "Loving Annabelle" took it a step further to a full-fledged affair.

For a 1958 film, "MADCHEN IN UNIFORM" is amazingly bold about the lesbian content and I was quite surprised how far this German film went. Compare how Germans portrayed lesbianism on screen in '58 to how Americans did it later in '61 with "The Children's Hour" and you will be amazed how far behind we were.

Unfortunately the 1931 original is still not available on DVD. I saw it once, over 20 years ago, at an art house revival screening somewhere in Los Angeles. I consider myself very knowledgeable about queer cinema (in fact that was my specialty when I was an entertainment journalist and film critic) and I never even knew there was a remake until Wolfe approached me to do the DVD extra! So the fact that the '58 version is going to be available on DVD is utterly fantastic.

Netflix is waiting to see how much demand there is for "MADCHEN IN UNIFORM" before they buy copies of it to make it available to customers. A venue like Netflix is a really important and vital delivery system to get LGBTQ films to people all over the world. So please save this DVD to your queue right now. Here's the Netflix link, http://www.netflix.com/Movie/Madchen_in_Uniform/70142638, just click and hit save to dvd queue.

Thanks! - Lydia Marcus

Here's the plot of "MADCHEN IN UNIFORM" according to Netflix:

"Sent to an austere, all-girls boarding school after the death of her parents, spunky orphan Manuela von Meinhardis (Romy Schneider) soon develops a sensual attraction to one of her teachers, the beautiful Elisabeth von Bernburg (Lilli Palmer). As Manuela's forbidden attraction becomes stronger, the suggestion of lesbian scandal sends the school's headmistress into a rage. Géza von Radványi's directs this 1958 remake of the 1931 classic."

And here's a description of the DVD extra:

"Includes special bonus featurette: From Manuela To Annabelle (in which director Katherine Brooks discusses how Madchen in Uniform inspired Loving Annabelle)."

Wednesday, August 4, 2010

Brad Buckman



Brad Buckman has been a long time contributor to the Alternative Show at the JDPW...his work has consistently been stunning and strong, and needless to say, I was happy to see him enrolled in Next Step One this past Spring. For the 2010 Alternative Show, Brad happens to be the First Prize Winner (and I was not a judge this year!), so big congrats to him. Come congratulate him at the opening!

Julia Dean Photo Workshops
Alternative Photography Exhibit
Opening Reception
6-9 PM, Friday August 13th, 2010
801 Ocean Front Walk, Studio 8 in Venice Beach

Laurie Mc Cormick

Laurie Mc Cormick has been on fire this summer...in a good way. She's gotten into a myriad of competitions and is continuing to explore new ways of creating photography and telling stories.

To quote from her site:
Current Exhibitions: from June 22 through July 17, 2010 at the Vermont PhotoPlace Workplace in Middlebury, Vt, my Image "Palouse at Dawn" will be in their Exhibit Natural Wonders. Also, from July 28 through Sept 10, 2010 at Rayko Photo Gallery, 428 Third Street, San Francisco, CA my image "Just Deployed" will be in the juried exhibition of portrait photography (Por)trait Revealed. And 3 of my Images from my Series "Family Secrets" will be in an exhibit at the Sylvia White Gallery.

Her roster of exhibitions in the last 2 years is more than impressive!

On Saturday, August 7th, Laurie will have work featured in the 2010 National Juried Exhibition at the Sylvia White Gallery in Ventura. Take a drive up the coast and attend the opening from 3-5!
Sylvia White Gallery
1783 East Main Street
Ventura, California 93001
805.643.8300
Gallery Hours: Wed-Sat 11am-5pm

Hiding from Ralph, from Family Secrets


Sundays on Corley Street, from Family Secrets

50 Portfolios to Check Out

from the Artist's Wanted site.

Tuesday, August 3, 2010

Amanda Keller Konya



A new work by Amanda Keller Konya

July 31st – August 28th
Reception: Saturday, August 7th, 7-9 pm
Gallery hours: Sat 11am – 5pm (& by appointment)

Project Room G3 is pleased to present a solo exhibition “Difficult Situations” by Amanda Keller Konya. Based on the book “Dealing With Difficult Situations” published by The Kodak Library of Creative Photography the installation “Difficult Situations” literally addresses both the difficult situations attached to the photographic act and ideas about the photographer’s subjectivity. The installation juxtaposes a photograph of a photographic manual, a surveillance camera used by outdoorsman to track potential prey and a mélange of cinematic scenes depicting interactions between two filmic characters: the photographer and the photographic subject. Throughout the run of the exhibition images captured by the surveillance camera will be placed in a vertical stack within the installation. The inadequate manual, photographic device and appropriated representations trap the viewer in an unfamiliar shifting field, resulting in the necessity to navigate through what it means to simultaneously be looked at while also participating in the act of looking.

Sunday, August 1, 2010

2010 Filter Photo Festival



The talented and capable photographer, Sarah Hadely, is spearheading the 2010 Filter Photo Festival in Chicago that takes place October 6-10th, and includes portfolio reviews, workshops, and lectures, plus a call for entry. If you are in the Midwest, or want to visit an amazing city, this looks like a great event, with reasonably priced reviews, and lots of activities that fill-up photographers.

In our second year, we are partnering with the Chicago Photography Center and in addition to the portfolio reviews, we are adding exhibitions, workshops and lectures with world-renowned photographers to this year's event.

Filter Photo Festival will take place from October 6-10th at the Chicago Photography Center located at 3301 North Lincoln Avenue on Chicago's north side.

Filter Photo's portfolio reviews will still be at the heart of the festival and on Saturday and Sunday, you can have your work seen by some of the Midwest's top gallerists, photo editors, educators, and curators. The reviews will be held on October 9 and 10th from 9am to 5pm. You can choose 4 or 8 twenty minute face-to-face reviews and receive candid advice about your work, as well as tips for getting your photographs published or exhibited.

We hope the lectures, workshops, exhibitions and reviews will serve as an important way to meet other professionals and photographers and to gain valuable knowledge about furthering your artistic and professional career!


Some of the reviewers include :
John McKinnon, Asst. Curator of Modern & Contemporary Art, Milwaukee Art Museum

Susan Aurinko, Independent Curator & Photographer

Walter Mason, Director of the Haggerty Museum of Art, Marquette University

Christy Karpinski, Editor F-Stop Magazine

Richard Cahan, Publisher and Author, City Files Press (Former Director of CITY 2000 and Chicago Sun-Times Picture Editor)

Michael Ensdorf, Founder and Director, Gage Gallery, Roosevelt University

Myra Greene, Photographer & Asst. Professor, Columbia College

Michael Zajakowski, Picture Editor, Chicago Tribune

Elizabeth Whiting, Art Curator, The Union League Club


And workshop instructors include:

Jane Fulton Alt

Marc Hauser

Carlos Javier Ortiz


CALL FOR ENTRIES
Filter Photo Festival will have its first juried exhibition with the theme "Bauhaus Inspired".
Juror: Justine Jentes, Director of the Mies Van der Rohe society.

Submissions deadline Sept. 1.

Please submit jpgs to filterphotofestival@gmail.com

all images should be jpgs, 72dpi, longest side should be 1000 pixels. The images should be titled yourlastname_titleofwork.jpg

Please include your name, e-mail address and phone number in the body of the e-mail.

We will notify you by September 15th and framed work is due at the CPC by October 1st

If the work is mailed to CPC, please include return postage.

The opening for the exhibition will be October 6th and the exhibition will run until November 15th.

Filter Photo Festival will have its first juried exhibition with the theme "Bauhaus Inspired"

The Bauhaus movement began in Germany but moved to Chicago and was centered at the IIT with Mies Van der Rohe and later Lazlo Maholy Nagy. Common features of Bauhaus work include: geometric design, use of repetition and pattern, and simple but powerful shapes forming the basis of a visual layout. Photographs are often created in an unadorned minimalist fashion. Investigation of atypical photographic techniques is encouraged so we welcome experimentation.

Black & White, color and alternative processes are welcome. Prizes First Prize- Adobe CS5 Master Collection
Second Prize - Adobe Lightroom
Third Prize - Adobe Photoshop & Premiere Elements

Saturday, July 31, 2010

Get your calendars in order...

Thanks to Mary Virginia Swanson

opening reception - christopher barbour @ stephen cohen gallery, saturday, july 31 from 4-7p



Hello to all,
I hope you are having a great summer so far and this finds you all well. While it has been some time since you have heard from me, I have some exciting news to share.
I am having a summer show at the Stephen Cohen Gallery here in Los Angeles and the opening is on Saturday, July, 31 from 4-7p. I would love it if you were able to stop by to see the work and say hello. I am showing a brand new installation piece called unraveling the tapestry as well as some selections from previous bodies of work. I hope you will be able to attend and I look forward to seeing you all there. All the important information is below if you have any questions please contact myself or the gallery. The show runs through August 28, 2010.
All my best,
Chris
opening reception, Saturday, July 31, 4-7p
Stephen Cohen Gallery
7358 Beverly Boulevard
Los Angeles, CA 90036
323.937.5525

Tuesday, July 20, 2010

Come get naked this Thursday



Hope to see you at Hous Projects on Thursday from 6-8pm...in the Pacific Design Center, 8887 Melrose Ave, B222

Monday, July 12, 2010

Upcoming Events

A show I co-curated and have a couple of pieces in (along with Amanda Keller Konya, Karen Florek, Nancy Baron):
Opening this Saturday, July 17th from 6-9pm is a show I co-curated for LACMA's Photo Arts Council titled Summer Mix at the Creative Photography Workshops/Gallery located at 6020 Wilshire Boulevard, Los Angeles, CA 90036 Plus my son Henry is DJing....



On Thursday, July 22nd, from 6-8 pm I will be in a show titled The Naked Truth at the Hous Gallery, and my work will be featured along with Bert Stern, Robert Maplethorpe, Susan Meislas, Nan Goldin, Tierney Gearon, Renee Jacobos, Steve Goode, Larry Clark, Jesse Finley Reed, Mona Kuhn and others. pacific design center, 8687 melrose avenue, suite B222 | west hollywood, ca 90069



And I had the great pleasure of seeing Tom's show (see below) Saturday night--it's terrific and well worth the trip!

Tuesday, July 6, 2010

Tom M. Johnson

Check out more about Tom's work on Lenscratch today!

Please come to Long Beach on Saturday, July 17th and support Tom with his solo show of Lakewood. It's sure to be a wonderful exhibition!!!


Submit!

To SHOTS Magazine--theme is CHILDREN

Visual Overture Magazine

FotoVisura Grant

Monday, June 28, 2010

Sunday, June 27, 2010

Yves Rubin gets a cover shot!



Our very own Yves Rubin's image got selected to grace the cover of UCLA's Focus You Future postcard for their marketing push for UCLA Extensions' Photography Courses and Certificates. Congrats Yves!

Send me work!



Looking for work for a 4th of July post that features your one favorite image of Americana or America (that you have taken)...I need images by June 30th 5pm, California time. Title and location, or just location and a link to your site would be great! E-mail to alinesmithson@yahoo.com sooner than later!

Entering Competitions: more lessons learned

I have had the fortunate opportunity to co-curate several terrific exhibitions in Los Angeles recently and will soon be juroring SELF-SEARCHING: The Art of Self-Portraiture for the Vermont Photo Place. I thought I'd share some insights from both sides of the submission experience.



1. When you are submitting to a competition and the entry calls for 3-5 images at one price, and more at an additional price, just submit the 3-5. If the juror doesn't like those initial images, they are probably not going to like the rest.

2. Try and submit images from the same body of work. In a recent show, those who had 2 images that related to each other, got two in the show. Those who sent a variety of images, got only one image. Jurors also like to see that you are exploring one idea in depth.

3. For this same reason, try submitting framed images that are the same size. If you keep your work consistently sized, you can swap out mats and frames and you can keep your framing costs down.

4. Be prepared. For another exhibition, I needed bios, statements, resumes, and image lists from all the participating photographers. I was shocked at how few had these pieces at the ready , and almost no one had branded themselves with a logo or an element that showed a sense of professionalism. For a number of photographers, I had to create these elements for them (because I believed in their work). I teach my students that when things come to you, it's more often than not, overnight...you've got to turn your images and your promotional materials around at a moment's notice.

5. Learn how to resize your jpgs correctly.

6. Follow instructions to the letter--this simple fact will cause for photographers to be eliminated.

7. If you are tightening the purse strings, try submitting to ezines, blogs, or magazines. It keeps your name in the public and there are usually only small fees (if any) involved and no shipping costs and more importantly, you will have something tangible to use to showcase your work. Here are some good sources to find publications ("Sites to Explore" on Lenscratch has many also):
http://www.art-support.com/magazines.htm
http://www.photolinks.com/Photography_Ezines.html

8. Take the time to thank the curator/gallery/ezine/magazine/ blogger for the opportunity you have been given. Emerging photographers forget how much time and effort go into these efforts, usually for small financial reward. This holds true for portfolio reviews too. When I reviewed for Review LA earlier this year, I handed each reviewee a guideline of how to handle a portfolio review and the #1 point was to thank the organization AND the reviewer for their time and energies. I was surprised at how few photographers followed through on this.

9. Contining on this idea, I've spoken to many photographers that will tell me 3-6 months after a review that they still haven't followed up with things. Life goes on and reviewers are busy people, and the enthusiasm they have for your work at the time will wane, especially when they see that you are not a follow-up kind of person. Imagine a gallerist who is interested in you and your work, and you don't follow up until much later--how does that reflect on your ability to create an exhibition and be someone they can depend on.

10. Remember if you miss a major competition, it will come around next year. Pace yourself and be realistic. You can't submit to everything or you'll go broke. It's not just the price of submission, but the cost of printing, framing, and shipping.

11. Do some research on the juror...look at the exhibitions they have created or the kind of work they showcase. If you think they would find your work of interest or if they are someone you want to expose your work to, then submit. Even if you don't get in the show, you will be on their radar. A couple of years ago, I didn't get into an exhibition. Months later I saw the juror at a portfolio review and I was gracious and friendly. He told me how badly he felt, and then hen a few months later, offered me a solo show. You never know.

One of my students didn't make the cut for Critical Mass, yet was still contacted by a gallery that loved her work and she was offered a show.

12. Learn how to write about your work. As a blogger, I need some insight into your work, so I can write about it. Photographers often feel that the images should speak for themselves. Honestly, some do and some don't. Even a few sentences is a big help.

13. There is something to be learned from rejection. Take a look at the realized exhibition and try to understand why the juror made those choices, and where your work stands in comparision.

14. Support your community. Many of these calls for entries keep galleries and organizations afloat...you don't have to submit to everything, but consider who you want to support.

15. Good luck...remember Luck is preparation meeting opportunity.